Speak Now by author Chautona Havig is a contemporary Christian romance. Her books are usually a favorite of mine and easy to review, but Speak Now has me speechless. I am not certain what to say or even think about this book.

This is the story of Cara Laas and Jonathan Lyman. They met at a wedding, and his young children, Bryson and Riley, were more enamored with her than the bride. These children were absolutely adorable. In fact, they were my favorite part of the book. Cara and Jonathan were well developed characters. At times I could relate to them, but other times I was shaking my head in disbelief at their actions. This is a sweet romance that at times had outrageously bold things done that were frankly too unbelievable for a newly acquainted couple.

Conversations were a bit far fetched. Cara and Jonathan had many deep conversations so quickly. At times it seems they were able to do so with only their eyes. This is something that comes only from a deep connection with someone developed over time. I enjoyed the humor and the spiritual message. Those are two constants that I can depend on in a Chautona Havig book. The message of no sex before marriage is strong in this book.

To be honest, this book just left me confused. I am still thinking about what the author was trying to convey to her readers. Even though I love most of the author’s other books, this one totally missed the mark with me. A copy was provided by Celebrate Lit.

About the Book

Book: Speak Now

Author: Chautona Havig

Genre: Fiction / Christian / Romance

Release date: May 30, 2013

Some say you only love once. They’re wrong.

Ask Jonathan Lyman. Still grieving for his wife, he walks into that wedding with no idea his entire life is about to change. It was just supposed to be a simple—oh, who am I kidding? It was supposed to be a typical, lavish, family wedding.

But there’s nothing typical about falling in love with a woman walking down the aisle. So to speak.

Cara Laas is falling hard and fast for a man whose heart doesn’t want to let go of the past and is rushing to meet her in the present. At the same time. That she’s half in love with his children doesn’t help, either.

Their attraction may be their undoing, but is either ready for “till death do us part?”

She’s a master at making others comfortable. He’s never comfortable talking, but if he wants her heart, he’s going to have to speak—now sooner than later, if you don’t mind.

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About the Author

Author of the bestselling Aggie and Past Forwardseries, Chautona Havig lives in an oxymoron, escapes into imaginary worlds that look startlingly similar to ours and writes the stories that emerge. An irrepressible optimist, Chautona sees everything through a kaleidoscope of It’s a Wonderful Life sprinkled with fairy tales. Find her at chautona.com and say howdy—if you can remember how to spell her name.

More from Chautona

All New Cover, All New Edits, Same Great Story?

The article condemned the overuse of dialogue. I did a bit of research, and my heart sank. It seemed dialogue was out. Lyrical prose was in. Great. Just what I needed.

I write a decidedly dialogue-driven story. Always have.

Every time I tried to shift character discussions into narrative, my prose took a nose-dive into a tank of boring info-dumping. Blech. Those characters wanted to talk. They didn’t want me to tell readers what they wanted to say. They wanted me to let them tell their story as they lived it.

Characters can be pretty demanding.

Then Jonathan stepped up. He didn’t talk—didn’t want to talk. In fact, he didn’t like it. Refused to do it. And yet… how could he hope to get to know a woman who fascinated him if he didn’t at least ask questions to get her to carry most of the conversation.

Research says that if you gaze into someone’s eyes for four minutes, you’ll develop a strong bond with that person. I suspect that’s what “love at first sight” is. Two people who foolishly keep gazing into a stranger’s eyes long enough to form that bond. Or something.

I also suspect that’s what happened to Jonathan that night.

So here I had a character who did not like to talk. And aside from self-absorbed people, most of us don’t like to carry an entire conversation alone, so the woman he met that night, Cara, wouldn’t enjoy chatting all by herself all night.

Look, I tried to make it less dialogue-driven and not all info-dumpy. I tried to keep it an engaging read without so much discussion. But the dialogue refused to go away. It wanted its place. It needed to be there.

So I caved, certain I was going to be a mediocre writer for the rest of my life.

I hated that book for so long. In fact, I never intended to publish it. Why would I put something out there so very bad? The articles, books, videos—all the things I’d read said I was doing something wrong.

Except one friend. Michele loved the story—begged for new installments. Pleaded with me to finish it. So, I did. For her. I published it, even. Only for her. And you know what? I still hated it.

Despite that book having the best scene I’ve ever written in it.

No joke. There’s a scene in there that I’m always amazed to realize that I wrote. It’s powerful and raw and oh, so poignant. And yes, there are words in it—spoken words by my characters.

A few years passed. I still didn’t like the book. In my mind, it was a failure.

Then someone said something to me one day. “You are so good at dialogue.”

Later, someone else said it again. And later, I heard it again. Here I’d spent all this time and frustration fighting against one of my biggest writing strengths. Because some article made me question the best way to write. When I did searches on writing good dialogue, guess what? I found rebuttal arguments that included references to books I loved. Oops.

To say my eyes opened, and I saw something new in that story might be overkill. If anything, I assumed that meant it was as bad as I thought.

I felt certain that was why I didn’t like that book. It didn’t have “my” dialogue. So I reread it, determined to figure out if I should rewrite the whole thing with more.

Know what I discovered? I like the book.

Okay, Speak Now may never make my top-ten favorites of the books I’ve written. In fact, I guarantee it won’t.

But it won’t make the bottom ten anymore, either. In fact, it’s closer to top than bottom these days. And now it has a new cover, which I’m sure my daughter is pleased about. As the photographer for my original cover, she hated how I blew out the highlights on it. I loved the effect for that book, but with new editing, a few dialogue changes, and of course, that scene I love so much (and one tiny subplot that I never explored well changed for something else), it needed a new cover. And so I have it now. Introducing Speak Now 2.0. I’m so excited to share this book with the world.